Wednesday, 11 February 2015
Sadly Missed: The 90 Minute Mixtape
Those who have been folllowing / reading this blog for a while will be aware that I do, on occassion, use it to get random thoughts and ideas off my chest (and out of my brain) as well as for reviewing and sharing new music. Well, dear friends, this is one of those posts. A random collection of thoughts, musings if you will.
Without meaning to sound like an old git - I remember my own reaction as a teenager when someone went on about vinyl being better than these new fangled CD thingumajigs - I feel sorry for the kids of today. Not only due to the fact that they will (probably) never experience the life-affirming, coming of age joy of trawling through the racks of a proper independent record shop and picking a handful of albums based on cover alone (this is a subject I have already covered), but because they won't be familiar with the concept of making or receving a 90minute cassette (the TDK D90, above, was my weapon of choice) filled to the very last second with music - let's face it, doing this properly was an art form. Choosing the songs, not only for quality, but by length to ensure that you could fit the maximum number of songs on each 45 minute side.
The running order was all important too. You wanted the recipient to enjoy the compilation, of course you did, but more than that, you wanted to impress them with your musical knowledge and diversity, while all the time not coming across as a pretentious twat - it was an imperceptibly fine line, which I probably crossed frequently. You couldn't just throw together an eclectic collection of music that had no flow. No, these songs had to work together, the ending of one song almost seguing into the beginning of the next.
Now, I have been thinking (careful now) and ignoring the dubious legality of it all, I want to try to revive this lost art. Who's with me? All it would involve is making a compilation, in two 45 minute parts naturally, uploading it to Dropbox or suchlike and then posting the link here.
Monday, 9 February 2015
New Music Round-Up: 15th Feb 2015
Heidevolk
Dutch folkies, Heidevolk first came to my attention in 2007 with the "Wodan Heerst" EP and I was immediately impressed with their unique sound and especially with the chanted, baritone vocal delivery. With all of the lyrics in their native tongue and their catchier than herpes melodies, I had never heard anthing like them before (ok, so the violin is more than a little Skyclad influenced). They may have introduced some heavier, growling vocals, but the core sound has stayed distinctly Heidevolk and in the modern, over-saturated Folk Metal scene, Heidevolk still stand out as a band which sounds like no other and true originality in 2015 is a rare thing indeed.
Svartsot
This is the most exciting release of the year for me as it signals the long overdue return of the best Folk Metal band on the planet right now. When I first heard the band's debut album "Ravnene's Saga" back in 2007 (a good year for Folk Metal, apparently), I was totally blown away. I hadn't heard anything like this band before (or since). They combined the Folk melodies of (early) Thyrfing or Skyclad (my favourite band, incidentally) with the Death Metal crunch of Amon Amarth, but didn't sound like any of these bands. In fact, Svartsot are a completely unique prospect and I have waited four long years for this, the follow-up to 2011's admittedly patchy "Maledictus Eris". Bands like Svartsot don't get much attention from the music press and I suspect many of you won't be familiar with them, so if you like what you hear, please support the band. You can pre-order the album here: http://www.svartsot.dk/
Moonspell
Portugal's biggest (possibly only) Gothic Metal export are back with their 11th full length "Extinct" and judging from the two tracks I've heard, while they seem to have taken yet another step towards a more mellow Gothic Rock sound, it might also be a career best. Even a cursory listen to "Extinct" and "The Last Of Us" brings to mind the mainstream-bothering likes of The Cult and Sisters Of Mercy as much as it does the dark melody of Paradise Lost and Type O Negative and this is definitely not a bad thing.
Schnee
Germany's, Schnee opt for a sound that will be very familiar to fans of Finnish Atmopheric Black Metal / Nature Folk acts such as Nest, October Falls and Tenhi amd to a lesser extent, Norwegian Ambient Black Metal pioneers, Burzum. What this demo lacks in originality and recording quality, it more than makes up for with its haunting Black Metal atmospherics and achingly beautiful soundscapes. Definitely a(n amusing) name to watch out for, Schnee means snow in German in case you were wondering. Click the link to hear the demo.
https://www.youtube.com/watch?v=YMYA4K-ZKlk
Dutch folkies, Heidevolk first came to my attention in 2007 with the "Wodan Heerst" EP and I was immediately impressed with their unique sound and especially with the chanted, baritone vocal delivery. With all of the lyrics in their native tongue and their catchier than herpes melodies, I had never heard anthing like them before (ok, so the violin is more than a little Skyclad influenced). They may have introduced some heavier, growling vocals, but the core sound has stayed distinctly Heidevolk and in the modern, over-saturated Folk Metal scene, Heidevolk still stand out as a band which sounds like no other and true originality in 2015 is a rare thing indeed.
Svartsot
This is the most exciting release of the year for me as it signals the long overdue return of the best Folk Metal band on the planet right now. When I first heard the band's debut album "Ravnene's Saga" back in 2007 (a good year for Folk Metal, apparently), I was totally blown away. I hadn't heard anything like this band before (or since). They combined the Folk melodies of (early) Thyrfing or Skyclad (my favourite band, incidentally) with the Death Metal crunch of Amon Amarth, but didn't sound like any of these bands. In fact, Svartsot are a completely unique prospect and I have waited four long years for this, the follow-up to 2011's admittedly patchy "Maledictus Eris". Bands like Svartsot don't get much attention from the music press and I suspect many of you won't be familiar with them, so if you like what you hear, please support the band. You can pre-order the album here: http://www.svartsot.dk/
Moonspell
Portugal's biggest (possibly only) Gothic Metal export are back with their 11th full length "Extinct" and judging from the two tracks I've heard, while they seem to have taken yet another step towards a more mellow Gothic Rock sound, it might also be a career best. Even a cursory listen to "Extinct" and "The Last Of Us" brings to mind the mainstream-bothering likes of The Cult and Sisters Of Mercy as much as it does the dark melody of Paradise Lost and Type O Negative and this is definitely not a bad thing.
Schnee
Germany's, Schnee opt for a sound that will be very familiar to fans of Finnish Atmopheric Black Metal / Nature Folk acts such as Nest, October Falls and Tenhi amd to a lesser extent, Norwegian Ambient Black Metal pioneers, Burzum. What this demo lacks in originality and recording quality, it more than makes up for with its haunting Black Metal atmospherics and achingly beautiful soundscapes. Definitely a(n amusing) name to watch out for, Schnee means snow in German in case you were wondering. Click the link to hear the demo.
https://www.youtube.com/watch?v=YMYA4K-ZKlk
Keep Of Kalessin
Where to start with the brilliant and painfully under-rated Keep Of Kalessin? Well the Norwegian veterans started out as a more traditional Black Metal band akin to (early) Dimmu Borgir, Emperor, et al, but over the years have, along with their more visionary peers, cultivated a much more Avant-Garde sound akin to Arcturus and Ulver. If you have yet to discover this gem of a band, I suggest you pick up a copy of new album, "Epistomology" right away.
Sunday, 8 February 2015
New Music Round-Up: 8th Feb 2015
Cripper
Despite the horrible name (taken from an old working song title, apparently), German Modern Thrashers, Cripper are actually a bloody good band. Everyone knows that Germany has a long and rich Thrash Metal history and it's good to see bands like Cripper picking up the torch and running with it. OK, so purists will no doubt moan that it isn't "true" Thrash, but it also isn't 1985. Times change and music evolves. I think even the most jaded old school Thrasher will find something to get excited about on new album, "Hyƫna".'
Dawnbringer
Dawnbringer have, over the span of the last 20 years, perfected their unique style - which is an odd hyvrid of Trad Metal, Doom, Black and Gothic Metal. The overall sound of Dawnbringer is hard to describe, but one obvious point of reference would be fellow Trad Metal oddballs (The Lord Wierd) Slough Feg. There is atmosphere aplenty on new album, "Night Of The Hammer" and along with some Maiden-esque leads and a decent vocal delivery from the ever-improving Chris Black. Overall, "Night..." is a rewarding and irresistable listening experience and one that gets better with repeat listens.
Diablo Blvd.
Despite them having been around for a decade now, I haven't happened across Diablo Blvd. until now and I don't know what the older albums sound like, but "Follow The Deadlights" is even harder to sum up than Dawnbringer. The overall sound is undeniably "Southern Metal", but there are elements of Gothic Metal, Groove Metal, Grunge and even New Romantic to be found here. I have only heard the album once through so far, but I picked out parts that reminded me of a wide range of bands including 5FDP, Paradise Lost, Volbeat, Poisonblack, Wildhearts, Type O Negative, Danzig, Soil and Demon Hunter. Despite all of this there is something interesting and fresh about Diablo Blvd. and I am looking forward to hearing more from them in the future as well as searching out their back catalogue.
Enslaved
Incomparable Norwegian Prog Black Metal heroes, Enslaved are back...and judging on the basis of the single "Thurisaz Dreaming", the new album, "In Times", is almost guaranteed to be yet another Epic Masterpiece in the genre. All the hallmarks of the Enslaved sound are present and correct...The music is sprawling and experimental and the voals veer between otherwordly clean singing to harsh Black Metal rasps. This is the band's heaviest song in many a year, yet retains their recent ear for a Post Rock melody. Essential!
Nightwish
A lot has happened in the Nightwish camp in the 4 years since the release of the amazing "Imaginaerum" album (my album of the year for 2011, fact fans) and I have to admit to having mixed feelings about another new singer. Now, I don't doubt the vocal abilities of Ms. Jansen, but Anette Olzon made such an impact during her time with the band that she is going to be a very hard act to follow. Judging by the only song I have heard so far, "Elan", my fears seem to well founded. There are flashes of inspiration, but I can't shake the feeling that I have heard the song before...and better. It comes across as a Nightwish-lite meets Evanescance...such is the overwhelming sense of self-parody that I got from this song. In fairness, it may well be that the (admittedly leaked) version of the song that I have heard may not be the final version and that it may sound better within the context of the album. We will have to wait and see.
Despite the horrible name (taken from an old working song title, apparently), German Modern Thrashers, Cripper are actually a bloody good band. Everyone knows that Germany has a long and rich Thrash Metal history and it's good to see bands like Cripper picking up the torch and running with it. OK, so purists will no doubt moan that it isn't "true" Thrash, but it also isn't 1985. Times change and music evolves. I think even the most jaded old school Thrasher will find something to get excited about on new album, "Hyƫna".'
Dawnbringer
Dawnbringer have, over the span of the last 20 years, perfected their unique style - which is an odd hyvrid of Trad Metal, Doom, Black and Gothic Metal. The overall sound of Dawnbringer is hard to describe, but one obvious point of reference would be fellow Trad Metal oddballs (The Lord Wierd) Slough Feg. There is atmosphere aplenty on new album, "Night Of The Hammer" and along with some Maiden-esque leads and a decent vocal delivery from the ever-improving Chris Black. Overall, "Night..." is a rewarding and irresistable listening experience and one that gets better with repeat listens.
Diablo Blvd.
Despite them having been around for a decade now, I haven't happened across Diablo Blvd. until now and I don't know what the older albums sound like, but "Follow The Deadlights" is even harder to sum up than Dawnbringer. The overall sound is undeniably "Southern Metal", but there are elements of Gothic Metal, Groove Metal, Grunge and even New Romantic to be found here. I have only heard the album once through so far, but I picked out parts that reminded me of a wide range of bands including 5FDP, Paradise Lost, Volbeat, Poisonblack, Wildhearts, Type O Negative, Danzig, Soil and Demon Hunter. Despite all of this there is something interesting and fresh about Diablo Blvd. and I am looking forward to hearing more from them in the future as well as searching out their back catalogue.
Enslaved
Incomparable Norwegian Prog Black Metal heroes, Enslaved are back...and judging on the basis of the single "Thurisaz Dreaming", the new album, "In Times", is almost guaranteed to be yet another Epic Masterpiece in the genre. All the hallmarks of the Enslaved sound are present and correct...The music is sprawling and experimental and the voals veer between otherwordly clean singing to harsh Black Metal rasps. This is the band's heaviest song in many a year, yet retains their recent ear for a Post Rock melody. Essential!
Nightwish
A lot has happened in the Nightwish camp in the 4 years since the release of the amazing "Imaginaerum" album (my album of the year for 2011, fact fans) and I have to admit to having mixed feelings about another new singer. Now, I don't doubt the vocal abilities of Ms. Jansen, but Anette Olzon made such an impact during her time with the band that she is going to be a very hard act to follow. Judging by the only song I have heard so far, "Elan", my fears seem to well founded. There are flashes of inspiration, but I can't shake the feeling that I have heard the song before...and better. It comes across as a Nightwish-lite meets Evanescance...such is the overwhelming sense of self-parody that I got from this song. In fairness, it may well be that the (admittedly leaked) version of the song that I have heard may not be the final version and that it may sound better within the context of the album. We will have to wait and see.
Monday, 2 February 2015
New Music Round-up: 2nd February 2015
Venom
After almost single-handedly inventing Extreme Metal as we know it on their debut album, Welcome To Hell, way back in 1981, Venom have been a band of mixed fortunes and haven't released a good album since 2000's Resurrection. It was a very pleasant surpise then, to hear that the new album is classic Venom - Thrashing Metal meets fast and furious Punk - and it is truly heart warming to have the mad. tongue-in-cheek Geordie bastards back!
Decimatus
Strangely enough, I was having a conversation a few days ago about (the lack of) internationally recognised Australian Metal bands and although I could name a few, the continent is still lagging a long way behind. This brings me on to Decimatus. The band's, admittedly formulaic, take on Groove Metal is unlikely to win them any originality awards, but when the band boast monster riffs and stomping grooves like this, maybe originality is over-rated. Falling somewhere between The Duskfall and Pantera with a hint of The Resistance, "Catalyst For Rage" might just be what you need to tide you over while you are waiting for the new Pissing Razors album to drop.
Finsterforst
While they are unlikely to be accredited with breaking mew ground, Germany's Finsterforst have, over the course of 9 years and 4 albums, honed their Pagan Black Metal sound to a razor sharp assault - think Moonsorrow or latter-day Thyrfing with a Teutonic edge. This is an enjoyable, if slightly derivative, take on the sound pioneered by the aforementioned Scandinavians and should definitely appeal to fans of the genre.
Thulcandra
Another German Black Metal act, but unlike the epic, sprawling soundscapes of Finstreforst, Thulcandra deliver a colder yet melodic take on the genre and provide a perfect soundrack to the long, dark days of winter. Where they differ from the common-or-garden Black Metal legions, though, is with their distinctly Maiden-esque melodies which display some very talented musicianship throughout this otherwise ferocious album. All in all, if you are a fan of the genre, this is well worth a listen and if you're not, well this won't change your mind.
After almost single-handedly inventing Extreme Metal as we know it on their debut album, Welcome To Hell, way back in 1981, Venom have been a band of mixed fortunes and haven't released a good album since 2000's Resurrection. It was a very pleasant surpise then, to hear that the new album is classic Venom - Thrashing Metal meets fast and furious Punk - and it is truly heart warming to have the mad. tongue-in-cheek Geordie bastards back!
Decimatus
Strangely enough, I was having a conversation a few days ago about (the lack of) internationally recognised Australian Metal bands and although I could name a few, the continent is still lagging a long way behind. This brings me on to Decimatus. The band's, admittedly formulaic, take on Groove Metal is unlikely to win them any originality awards, but when the band boast monster riffs and stomping grooves like this, maybe originality is over-rated. Falling somewhere between The Duskfall and Pantera with a hint of The Resistance, "Catalyst For Rage" might just be what you need to tide you over while you are waiting for the new Pissing Razors album to drop.
Finsterforst
While they are unlikely to be accredited with breaking mew ground, Germany's Finsterforst have, over the course of 9 years and 4 albums, honed their Pagan Black Metal sound to a razor sharp assault - think Moonsorrow or latter-day Thyrfing with a Teutonic edge. This is an enjoyable, if slightly derivative, take on the sound pioneered by the aforementioned Scandinavians and should definitely appeal to fans of the genre.
Thulcandra
Another German Black Metal act, but unlike the epic, sprawling soundscapes of Finstreforst, Thulcandra deliver a colder yet melodic take on the genre and provide a perfect soundrack to the long, dark days of winter. Where they differ from the common-or-garden Black Metal legions, though, is with their distinctly Maiden-esque melodies which display some very talented musicianship throughout this otherwise ferocious album. All in all, if you are a fan of the genre, this is well worth a listen and if you're not, well this won't change your mind.
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